Verified Document

Stephen King's Carrie As A Term Paper

Related Topics:

The supernatural in Carrie is real and is expressed primarily through Carrie's supernatural powers. This power, telekinesis, is presented in a very realistic form in the novel, presenting us with a fear that is real as well as supernatural. For example, King accentuates the supernatural with realism with an excerpt from an article printed in the Tulane University Press that writes that Carrie's "ability to move objects by effort of the will alone comes to the fore only in moments of extreme personal stress" (5). The unique powers, while real, cannot be explained scientifically. This type of supernatural power isolates Carrie socially because they are so real they are horrifying and this synthesis frightens us.

The fantastical and supernatural are born from Carrie's natural experience and, apparently, heredity. We read that she was the unfortunate "victim of her mother's religious mania. We know she possessed a latent telekinetic talent" (89). This talent manifests itself on prom night in a horrifying way.

Carrie's supernatural powers are presented in a fantastical way in this novel and they are precipitated by the terrible prank that occurs at the prom. When the buckets of blood come crashing down, Carrie sits with a "bulge of terror rising in her mind" (133), realizing...

She begins to focus her power and, as a result, throws Miss Desjardin "out of her way like a rag doll" (136). When she remembers her power, she decides that it is a time to "teach them a lesson" (136). She giggles as she turns on the sprinkler system, closes, and locks all the doors. As a result, the main power switches exploded and light cables were "flowing a jerking and writhing like snakes" (127). Tommy was struck by the bottom rim of one of the buckets and he goes "swiftly down into unconsciousness" (127). The fire that originated from the electrical cords spread quickly out of control. We read that an Associated Press news release called the fire at Ewen "electrical in origin" (127), trapping over one hundred people inside the gymnasium. The explosion and subsequent fire could not be contained nor explained and the most queer aspect of the event is that water hydrants in the area were "vandalized, and water pressure from city mains in the area from Spring Street to Grass Plaza is reported to be nil" (128). We read that this is a result of Carrie's power as well. Furthermore, Carrie stops at the Carlin Street Congregational Church, where she prays and then commences to destroy the rest of the town. She wishes the townspeople to burn and wants the streets to "be filled with the small of their sacrifice" (147). This horrible scene is the result of Carrie's supernatural ability, which is frightening as well as captivating and believable.
Carrie is a fantastic horror story because it conveys an almost perfect balance between the supernatural world and the real world. Carrie is a teenage girl living in a world where she is the butt of jokes for her entire life. Her life is all too real for many of us. King masterfully combines this reality with Carrie's supernatural powers, which make the story captivating and…

Sources used in this document:
Works Cited

King, Stephen. Carrie. New York: Doubleday Dell Publishing. 1974.
Cite this Document:
Copy Bibliography Citation

Related Documents

Stephen King's Works As a Reflection of
Words: 2251 Length: 6 Document Type: Term Paper

Stephen King's Works as a Reflection of Today's Society Stephen King is one of the most successful writers today. He has published hundreds of works, including novels, novellas, and short stories. Many of his works have been turned into movies that have proved just as popular. Is this simply because he is a good writer or simply because he writes horror? Considering that there are many other writers of horror that

Romantic Monster: The Human Within
Words: 4437 Length: 15 Document Type: Term Paper

Yet, we also see that he still does not understand the true origin of the beast -- the human within. The fact that he dies before he is successful, yet the monster obviously goes off to end his own fate, indicates that the evil both originated, and eventually died with him -- the true source from which it sprang. Victor Hugo's Hunchback: An Illustrative Device In Victor Hugo's Hunchback of Notre

Grendel and After That IT's Elephants All
Words: 2381 Length: 8 Document Type: Essay

Grendel And After that it's Elephants All the Way Done Wagner's Grendel is one of the most finely crafted pieces of postmodern fiction because it performs both of the functions with which postmodern literature is tasked. First, it is a work of literature that shines on its own, that offers a significant reward to the reader regardless of whether or not the reader is familiar with literary traditions. Second, the work addresses,

Suffering for Our Cinematic Sins: John Coffey
Words: 1694 Length: 5 Document Type: Term Paper

Suffering for Our Cinematic Sins: John Coffey in "The Green Mile" While both films "The Green Mile" (1999) and "The Shawshank Redemption" (1994) have prison settings, and the same director, these two film's overarching ideological agendas stand in striking contrast. "The Green Mile" uses the Christ myth of a singular, suffering (black) savior that can redeem white society. "The Shawshank Redemption" presents a morally ambiguous notion of salvation, that all individuals must

Mark Twain's Realism in Fully Discovered in
Words: 2125 Length: 5 Document Type: Term Paper

Mark Twain's realism in fully discovered in the novel The adventures of Huckleberry Finn, book which is known to most of readers since high school, but which has a deeper moral and educational meaning than a simple teenage adventure story. The simplicity of plot and the events that are described in the book look to be routine for provincial life of Southerners in the middle of the 19th century. But

Morphology Personal Name Truncations
Words: 7828 Length: 23 Document Type: Term Paper

Morphology A large range of the academic literature centering on the sociological as well as the cultural and linguistic properties of nicknaming can be found. This literature mostly focuses on only sociological and/or cultural properties and/or the linguistic properties but mostly with varying working definitions of the term nickname. For example, some researchers (e.g., Slater and Feinman 1985) notice the structural and sociological commonalities among both the formal and the nicknames

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now